Considering
space as a major reference and criteria reveals specialized sub-concepts in art
production. Space becomes a medium in the manner of land art, site-specific
art, and public installations while boundaries between disciplines collapse
within those scopes. Using the nature both as an exhibition space and a material
source in land art, reading a built environment with its flaws and unique
qualities in site specific art, reclaiming the public space all over again
through public installations open up new field of possibilities. The temporality
of such approaches, the fleeting texture of attitudes and the coincidental
encounters in public realm bring a depth to artworks with a different kind of
experiment and most of the time; free the artwork from identical white cubes.
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